HELLO FRIENDS! THIS IS AN EXCERPT FROM MY WRITING UPDATES PAGE!
DO ENJOY! 😀
Dance movies should be about dancers, not dancing.
Feliz Día de los Enamorados!
Hope everyone is enjoying it (and getting a room) with someone they love and who hopefully loves them back because that just makes it twice as spectacular!
Anyway, I’m still writing, still editing, trying to keep the pace even though I am way behind my own schedule but while *eh-hem* taking a break on Facebook I saw a post from one of my past dance teachers of this trailer for ‘Desert Dancer’ and my God!! I want to see this movie!
Desert Dancer !! O.O !!!
What I love about it so far is that this is exactly the kind of dance story, and I have a few in the works, that I want to write. I know it’s based on a true story but I’ve noticed something about ‘dance’ movie stories in the media today.
So many of them are all about competitions and rivalry and dance groups facing off and competition and finals. It’s all about popping that move and making the audience roar and the purity of why people dance and the emotional bliss and conflict that can go in to and come out of it gets lost in all the hype. So many dance movies today just have the same old concept over and over again.
But this!! *tap dances excitedly* These are the kinds of dance movies I like to see! Where it’s just real people living their lives, life going on around them and they just happen to be dancers. Even though it’s okay and sometimes necessary, the story doesn’t have to be about dancing or around the dance world it just has to be about a dancer, how they navigate their world and how we see the world through their eyes.
What a lot of these shows fail to understand is that once you put a dancer in the mix they will interpret the ordinary world around them through dance and suddenly the ordinary world becomes the world of the dancer. You don’t have to fill it with endless competitions and ‘face-offs’ and rivalry and practices to make it a dancer’s movie.
The dancer makes it a dance movie and then you can incorporate any story in there around them, like in The Mysterious Case of Benjamin Button or Memoirs of a Geisha or Black Swan or Shall We Dance?, which were beautiful, intriguing stories that involved dancers as main or supporting characters but managed not to be suffocating, in your face, waving a flag ‘this is a dance movie in case you didn’t know’ kind of hype. The moment you are more concerned with the character, the dancer, and their life more than the final dance scene, will they win or lose build-up, it’s already a great dance movie, even if it doesn’t label itself as one.
But I know this is based on a true story so it is different but I would hope my book plans for a dancer’s story would be equally intriguing as this. And that’s my long awaited writing update. Chao friends! Off I go again, zing!
– Written by Travesaou
Copyright © 2010-2015 Critics May Lie All Rights Reserved